“AMERICAN LETTERS: works on paper” by giovanni singleton
Sound as in improvisation acts upon images and text giving rise to harmonious constructions of silence. It comes down to the desire for liberation through exploring what words, in their essence, can do. The behearer and the beholder approach the world with an attitude of longing. The page is a canvas, a field, a mediation between human nature and the natural world. Writing occurs on and with trees. Knock on wood. What is spoken from the depths of a whisper or said in a scream?
giovanni singleton is a poet, teacher, and founding editor of nocturnes (re)view of the literary arts, a journal dedicated to the work of artists and writers of the African Diaspora and other contested spaces. A recipient of a New Langton Bay Area Award Show for Literature, she frequently presents on writing, editing, and graphic design at schools and conferences, including the American Literature Association and Spelman College. She has been a fellow at the Squaw Valley Community of Writers, Cave Canem, and the Napa Valley Writers Conference. Her work has appeared on the building of Yerba Buena Center for the Arts and in Zen Monster, VOLT, Callaloo, Poet Lore, Angles of Ascent: A Norton Anthology, What I Say: Innovative Poetry by Black Writers in America, Kindergarde: Avant-Garde Poems, Plays, & Stories for Children, and I’ll Drown My Book: A Collection of Conceptual Writing. singleton has taught at Saint Mary’s College, Naropa University, and in museums and schools throughout the San Francisco Bay area
MFA Program Manager