Tenorio’s Provocative Short Stories Cast Light on Economic Disparities, Immigrant Experience

Lysley Tenorio’s debut collection of short stories, Monstress, has drawn widespread acclaim, with glowing reviews by the Los Angeles Times, the Paris Review and NPR, among others.

Lysley Tenorio's Nemesis: The Questionnaire

Associate Professor Lysley Tenorio discusses the important stuff in a questionnaire from LitQuake. On Saturday, October 13, he will be discussing writing short stories at LitQuake's Art of Short Fiction Panel.

He will also be participating in the MFA Faculty LitQuake Reading that same day at 7:00 p.m. at Beauty Bar in the Mission.

MFA Program Professor Lysley Tenorio's Book Tour

Lysley Tenorio's book-tour for story collection, /Monstress/

“MONSTRESS announces the debut of an electric literary talent.

Brilliantly quirky, often moving, always gorgeously told,
these are tales of bighearted misfits who yearn for their authentic selves
with extraordinary passion and grace.”

–CHANG-RAE LEE
New York Times Bestselling Author of The Surrendered

Afternoon Craft Conversations

All Craft Conversations take place in Hagerty Lounge at 2:35pm.

 Spring 2016

February 17th with Porter Shreve

“The Magnetic Character”

What do Ellen Olenska, Jay Gatsby, Yunior de las Casas, Jamaica Kincaid's fictional mothers and Olive Kitteridge have in common? They're all magnetic, the kind of characters you can build a novel around. Whether they're narrator, protagonist or secondary character they exert such a force on everyone in their sphere as to be unforgettable. In her essay "Notes on Writing a Novel," Elizabeth Bowen says that every novel needs "at least one character capable of keying the reader up, as though he (the reader) were in the presence of someone he is in love with." In this talk we'll look at some especially magnetic characters in literature and discuss various strategies for discovering and bringing them to life in our own work.

Porter Shreve

 

Porter Shreve is the author of four novels. The Obituary Writer was a New York Times Notable Book. Drives Like a Dream and When the White House Was Ours were Chicago Tribune Books of the Year. And his latest, The End of the Book, published in 2014, was a San Francisco Chronicle Book of the Year.

 

 

 

March 2nd with Sarah Manguso

“Omission”

Some texts move us primarily because of what they don't include. Under what literary circumstances is it more expressive to say nothing than to say something? In this talk I'll present poetry and prose that omits formal, narrative, referential, descriptive, or subjective content, and consider the techniques and effects of those omissions. Examples will include works by Man Ray, Don Paterson, James Wright, Jenny Boully, John D'Agata, Amy Hempel, Kenneth Koch, Donald Hall, Lydia Davis, Jack Gilbert, and others. 

Sarah Manguso


Sarah Manguso
is the author, most recently, of the memoirs Ongoingness, The Guardians, and The Two Kinds of Decay. Her prose has appeared in Harper's, McSweeney's, and the New York Review of Books. She has received a Guggenheim Fellowship and the Rome Prize.

 

 

 

Creative Writing Reading Series

FALL 2011

YIYUN LI WEDNESDAY, OCTOBER 5, 7:30 P.M., SODA CENTER

Yiyun Li grew up in Beijing and came to the United States in 1996. Her fiction has been published in The New Yorker and Best American Short Stories, among others.    Her debut collection, A Thousand Years of Good Prayers, won the PEN/Hemingway Award, and the California Book Award for first fiction. Li’s novel, The Vagrants, also won the California Book Award’s gold medal for fiction. Her latest book, Gold Boy, Emerald Girl is a collection of short stories. Li has received fellowships from Lannan Foundation and Whiting Foundation, and MacArthur Foundation named her a 2010 Fellow. She is a contributing editor for the Brooklyn-based literary magazine, A Public Space and teaches at University of California, Davis.

RYAN VAN METER WEDNESDAY, OCTOBER 12, 7:30 P.M., SODA CENTER

Ryan Van Meter’s essay collection If You Knew Then What I Know Now was published in 2011 by Sarabande Books. His essays have appeared in The Gettysburg Review, Indiana Review, Gulf Coast and Arts & Letters, and have been selected for anthologies including Best American Essays 2009 and Touchstone Anthology of Contemporary Creative Nonfiction. He is an assistant editor at Fourth Genre magazine and currently teaches creative writing at The University of San Francisco.

CLAYTON ESHLEMAN THURSDAY, NOVEMBER 3, 7:30 P.M., SODA CENTER
CO-SPONSORED BY THE MFA PROGRAM AND THE MODERN LANGUAGES DEPARTMENT


Clayton Eshleman’s publications include Jupiter Fuse: Upper Paleolithic Imagination & the Construction of the Underworld; The Complete Poetry of Cesar Vallejo; and The Grindstone of Rapport/ A Clayton Eshleman Reader. He recently published co-translation of Aime Cesaire’s Solar Throat Slashed and Bei Dao’s Endure, and a translation of Bernard Bador’s Curdled Skulls. He has received the National Book Award in Translation, a Guggenheim Fellowship in Poetry, and multiple grants from the National Endowment for the Arts and the National Endowment for the Humanities. He founded and edited the two seminal poetry magazines, Caterpillar and Sulfer. He is Professor Emeritus at Eastern Michigan University and lives in Ypsilanti.


ALL READINGS OPEN TO THE PUBLIC

For More information on The Creative Writing Reading Series please contact Administrative Assistant Sara Mumolo, (925)631-8556 or [email protected].
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