Tenorio’s Provocative Short Stories Cast Light on Economic Disparities, Immigrant Experience

Lysley Tenorio’s debut collection of short stories, Monstress, has drawn widespread acclaim, with glowing reviews by the Los Angeles Times, the Paris Review and NPR, among others.

Lysley Tenorio's Nemesis: The Questionnaire

Associate Professor Lysley Tenorio discusses the important stuff in a questionnaire from LitQuake. On Saturday, October 13, he will be discussing writing short stories at LitQuake's Art of Short Fiction Panel.

He will also be participating in the MFA Faculty LitQuake Reading that same day at 7:00 p.m. at Beauty Bar in the Mission.

MFA Program Professor Lysley Tenorio's Book Tour

Lysley Tenorio's book-tour for story collection, /Monstress/

“MONSTRESS announces the debut of an electric literary talent.

Brilliantly quirky, often moving, always gorgeously told,
these are tales of bighearted misfits who yearn for their authentic selves
with extraordinary passion and grace.”

–CHANG-RAE LEE
New York Times Bestselling Author of The Surrendered

Afternoon Craft Conversations

Wednesday, September 16th, 2:35pm, Hagerty Lounge

with Geoffrey G. O'Brien

g. o'brien 

"Escaping Pastoral: Ashbery's "The Instruction Manual" and Genre Responsibility"

This talk will carefully read John Ashbery's mid-century example of what I call "broken pastoral," an imagined escape from conditions that knows and slyly admits it can't get away with it. I'll use this reading to describe a few recent examples of innovative genre use and will gesture at what poets must take on when they they adopt and adapt genres like pastoral, bringing ancient conventions and long histories into the contemporary.

Geoffrey G. O'Brien is the author of People on Sunday (Wave Books, 2013). He is also the author of Metropole (2011), Green and Gray (2007), and The Guns and Flags Project (2002), all from The University of California Press. He is the coauthor (with John Ashbery and Timothy Donnelly) of Three Poets: Ashbery, Donnelly, O’Brien (Minus A Press, 2012) and (in collaboration with the poet Jeff Clark) of 2A (Quemadura, 2006). O’Brien is an Associate Professor in the English Department at UC Berkeley and also teaches for the Prison University Project at San Quentin State Prison.

Wednesday, October 7th, 2:35pm, Hagerty Lounge

with Rachel Howard


rachel howard

"Building Boxes, Making Fences, Forcing Leaps: Some Strategies for Three-Dimensionality in Prose"

As a writer who works from life experiences in different ways—as I think many writers do—I’m less interested in distinctions between fiction and nonfiction than I am in the difference between writing that feels “flat” and writing that places the reader in a charged space of heightened experience, renewed perspective, and active meaning-making.  To me, that three-dimensionality is the difference between prose as art and prose as mere relay of information (also a noble and needed function of prose, but not the one we are working toward as literary writers).  How is that three-dimensionality created, and what do you do when you find your language stuck in 2-D?  This talk will look practically at a few strategies for three-dimensionality drawn from contemporary writers like Sheila Heti and Maggie Nelson, and classics by Marguerite Duras and Bruno Schulz.  We’ll also look at examples from other artistic disciplines, particularly dance and the work of choreographers Ohad Naharin and William Forsythe.  We often think of technique as separate from the states of consciousness that make for great writing.  I’d like to propose that a shift in one can create a shift in the other.

Rachel Howard is the author of The Lost Night, a memoir about her father’s unsolved murder.  Her short stories, personal essays, and criticism have appeared in Gulf Coast, Waxwing, ZYZZYVA, The Hudson Review, Canteen, The Arroyo Literary Review, Berfrois, and in the New York Times’ “Draft” series.  She received an MFA from Warren Wilson College, and returned there to serve first as Joan Beebe Teaching Fellow and then Interim Director of Undergraduate Creative Writing.  A longtime resident of the San Francisco Writers’ Grotto, she recently moved to Nevada City, CA, where she is finishing a novel.
 

Wednesday, November 4th, 2:35pm, Hagerty Lounge

with Karolina Waclawiak

karolina w
 

“Object Lessons”

How do we assemble the framework for jaw-dropping moments in our stories? We drop hints, leave clues, and create landscapes of dread to prepare our readers for impending doom. In Object Lessons, we'll look at short stories from writers like Leonard Michaels, A.M. Homes, Junot Diaz, Mary Gaitskill, Charles D'Ambrosio and more to study how they create a sinister feeling with tiny clues laid out for the reader to brush past. In looking at how authors lay the foundation for their stories, we will be able to look at how we can integrate clues into our own work.

Karolina Waclawiak is the author of the recently published novel The Invaders and How to Get Into The Twin Palms, which was a New York Times Book Review Editor's Choice and on many year-end book lists including Salon, Largehearted Boy, and others. She is an editor of the Believer and her writing has appeared in The New York Times, Los Angeles Times, VQR, and other notable publications. AWOL, a film she co-wrote with director Deb Shoval, will be released in 2016.

Creative Writing Reading Series

FALL 2011

YIYUN LI WEDNESDAY, OCTOBER 5, 7:30 P.M., SODA CENTER

Yiyun Li grew up in Beijing and came to the United States in 1996. Her fiction has been published in The New Yorker and Best American Short Stories, among others.    Her debut collection, A Thousand Years of Good Prayers, won the PEN/Hemingway Award, and the California Book Award for first fiction. Li’s novel, The Vagrants, also won the California Book Award’s gold medal for fiction. Her latest book, Gold Boy, Emerald Girl is a collection of short stories. Li has received fellowships from Lannan Foundation and Whiting Foundation, and MacArthur Foundation named her a 2010 Fellow. She is a contributing editor for the Brooklyn-based literary magazine, A Public Space and teaches at University of California, Davis.

RYAN VAN METER WEDNESDAY, OCTOBER 12, 7:30 P.M., SODA CENTER

Ryan Van Meter’s essay collection If You Knew Then What I Know Now was published in 2011 by Sarabande Books. His essays have appeared in The Gettysburg Review, Indiana Review, Gulf Coast and Arts & Letters, and have been selected for anthologies including Best American Essays 2009 and Touchstone Anthology of Contemporary Creative Nonfiction. He is an assistant editor at Fourth Genre magazine and currently teaches creative writing at The University of San Francisco.

CLAYTON ESHLEMAN THURSDAY, NOVEMBER 3, 7:30 P.M., SODA CENTER
CO-SPONSORED BY THE MFA PROGRAM AND THE MODERN LANGUAGES DEPARTMENT


Clayton Eshleman’s publications include Jupiter Fuse: Upper Paleolithic Imagination & the Construction of the Underworld; The Complete Poetry of Cesar Vallejo; and The Grindstone of Rapport/ A Clayton Eshleman Reader. He recently published co-translation of Aime Cesaire’s Solar Throat Slashed and Bei Dao’s Endure, and a translation of Bernard Bador’s Curdled Skulls. He has received the National Book Award in Translation, a Guggenheim Fellowship in Poetry, and multiple grants from the National Endowment for the Arts and the National Endowment for the Humanities. He founded and edited the two seminal poetry magazines, Caterpillar and Sulfer. He is Professor Emeritus at Eastern Michigan University and lives in Ypsilanti.


ALL READINGS OPEN TO THE PUBLIC

For More information on The Creative Writing Reading Series please contact Administrative Assistant Sara Mumolo, (925)631-8556 or [email protected].
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