Tenorio’s Provocative Short Stories Cast Light on Economic Disparities, Immigrant Experience

Lysley Tenorio’s debut collection of short stories, Monstress, has drawn widespread acclaim, with glowing reviews by the Los Angeles Times, the Paris Review and NPR, among others.

Lysley Tenorio's Nemesis: The Questionnaire

Associate Professor Lysley Tenorio discusses the important stuff in a questionnaire from LitQuake. On Saturday, October 13, he will be discussing writing short stories at LitQuake's Art of Short Fiction Panel.

He will also be participating in the MFA Faculty LitQuake Reading that same day at 7:00 p.m. at Beauty Bar in the Mission.

Writers & Words: videos from past MFA Program events

The Creative Writing Reading Series and Afternoon Craft Conversations bring the literary world's most exciting writers to campus. Now you can hear them to read their work and discuss their craft online at Writers & Words.


Watch videos from last semester's Afternoon Craft Conversation and Readings from Shane Book, Wesley Gibson, Judith Claire Mitchell, and Tina Parsons.


Here's a sample!


MFA Program Professor Lysley Tenorio's Book Tour

Lysley Tenorio's book-tour for story collection, /Monstress/

“MONSTRESS announces the debut of an electric literary talent.

Brilliantly quirky, often moving, always gorgeously told,
these are tales of bighearted misfits who yearn for their authentic selves
with extraordinary passion and grace.”

New York Times Bestselling Author of The Surrendered

Afternoon Craft Conversations

Wednesday, September 16th, 2:35pm, Hagerty Lounge

with Geoffrey G. O'Brien

g. o'brien 

More information coming soon



Wednesday, October 7th, 2:35pm, Hagerty Lounge

with Rachel Howard

rachel howard

"Building Boxes, Making Fences, Forcing Leaps: Some Strategies for Three-Dimensionality in Prose"

As a writer who works from life experiences in different ways—as I think many writers do—I’m less interested in distinctions between fiction and nonfiction than I am in the difference between writing that feels “flat” and writing that places the reader in a charged space of heightened experience, renewed perspective, and active meaning-making.  To me, that three-dimensionality is the difference between prose as art and prose as mere relay of information (also a noble and needed function of prose, but not the one we are working toward as literary writers).  How is that three-dimensionality created, and what do you do when you find your language stuck in 2-D?  This talk will look practically at a few strategies for three-dimensionality drawn from contemporary writers like Sheila Heti and Maggie Nelson, and classics by Marguerite Duras and Bruno Schulz.  We’ll also look at examples from other artistic disciplines, particularly dance and the work of choreographers Ohad Naharin and William Forsythe.  We often think of technique as separate from the states of consciousness that make for great writing.  I’d like to propose that a shift in one can create a shift in the other.

Rachel Howard is a memoirist, fiction writer, editor, critic, and arts journalist who reports frequently on dance and the visual arts for the San Francisco Chronicle. You can view an online portfolio of my journalism here. Her book The Lost Night, a memoir about the emotional aftermath of my father’s unsolved murder, was described as “enthralling” by the New York Times. Her work has appreared in ZYZZYVA, Pif Magazine, Canteen, Berfrois, the Arroyo Literary Review, and is forthcoming in Gulf Coast. My journalism and dance writing has appeared in the New York TimesO, the Oprah MagazineSan Francisco Magazine, the Hudson Review, and the Village Voice.


Wednesday, November 4th, 2:35pm, Hagerty Lounge

with Karolina Waclawiak

karolina w

More informtaion coming soon

Creative Writing Reading Series

FALL 2011


Yiyun Li grew up in Beijing and came to the United States in 1996. Her fiction has been published in The New Yorker and Best American Short Stories, among others.    Her debut collection, A Thousand Years of Good Prayers, won the PEN/Hemingway Award, and the California Book Award for first fiction. Li’s novel, The Vagrants, also won the California Book Award’s gold medal for fiction. Her latest book, Gold Boy, Emerald Girl is a collection of short stories. Li has received fellowships from Lannan Foundation and Whiting Foundation, and MacArthur Foundation named her a 2010 Fellow. She is a contributing editor for the Brooklyn-based literary magazine, A Public Space and teaches at University of California, Davis.


Ryan Van Meter’s essay collection If You Knew Then What I Know Now was published in 2011 by Sarabande Books. His essays have appeared in The Gettysburg Review, Indiana Review, Gulf Coast and Arts & Letters, and have been selected for anthologies including Best American Essays 2009 and Touchstone Anthology of Contemporary Creative Nonfiction. He is an assistant editor at Fourth Genre magazine and currently teaches creative writing at The University of San Francisco.


Clayton Eshleman’s publications include Jupiter Fuse: Upper Paleolithic Imagination & the Construction of the Underworld; The Complete Poetry of Cesar Vallejo; and The Grindstone of Rapport/ A Clayton Eshleman Reader. He recently published co-translation of Aime Cesaire’s Solar Throat Slashed and Bei Dao’s Endure, and a translation of Bernard Bador’s Curdled Skulls. He has received the National Book Award in Translation, a Guggenheim Fellowship in Poetry, and multiple grants from the National Endowment for the Arts and the National Endowment for the Humanities. He founded and edited the two seminal poetry magazines, Caterpillar and Sulfer. He is Professor Emeritus at Eastern Michigan University and lives in Ypsilanti.


For More information on The Creative Writing Reading Series please contact Administrative Assistant Sara Mumolo, (925)631-8556 or [email protected].
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